From"The Book of Arrows"


In the Beginning

 

I slept in a crib until I grew out of it.

My older sister slept in her own room.

Mine was the living room, the room

that my nana trained us to call a “parlor.”

I would send myself to dream

seeing flecks of brain chemical colors

that mimicked the wallpaper

in my sleepy head, as it rested on the pillow

just underneath a picture of cats on a fence.

 

I hated school. If I was a Viking,

every grade would’ve been razed.

I didn’t like wearing new pants for

the first day. They came from the

“irregular” store, every item a mark-down.

How that starchy, un-broken-in fabric made me itch.

 

I learned to learn on my own.

My young mind was a chalk board

full of the cartography of a world that forgot

inner wisdom.

Every time I fell asleep, I was wide awake

and my soul grew like a giant. When I awoke,

I came back to a sicker body, forgotten

in a world that yawned when it spoke.

That’s why I turned to the drums:

That kept me awake.

 

I was often sick. But my illness

waited for me in “the future.”

Doctors, with thumbs in their mouths,

goo-goo-ga-ga-ing like suicidal baby dolls.

Drumming and words were my healing.

The unerasable spray paint.

The balm for my spirit.


“I Love Rock-N-Roll…”

 

Roach-clip feathers perch on the light-string

under a black light bulb.

A hypnotic bird flaps to the sonic thud

on my sister’s stereo.

We’re dancing in the mirror,

shrieking to “I Love Rock ‘N’ Roll” -

me strumming on a tennis racket,

she smiling into a coarse bristle brush,

the kind that my hair is too fine for.

I, like alabaster. I always thought

that I was adopted.

She, a shade of tan that all those

uppity blonde girls at school want to be

in the summer time.

There are many colors in the spectrum.

I’m playing around with colors in words

until I can find the color I own.

But both of us are day-glo under the black light,

shrieking to “I Love Rock ‘N’ Roll.”


 

Name

 

Michael, from the Hebrew,

“Who is like God”,

an archangel with a sword.

My mom’s favorite boy’s name.

I’m her only son.

 

She moved from farm-town Carver

to big-city New Bedford

back when the South End was

the safest place to be,

just projects and tenements

for new urban families.

She was newly married,

gave birth at home to my older sister;

starting her own family with Nana in tow

‘cause Portugee women stay together.

 

There she met a boy,

pre-teen, skinned knees, tattered clothes

too big for his scrawny bones.

She said his name was Michael,

caught him eating from a dumpster.

She never saw him again . . .

“I always wondered about Michael . . . .”

 

Then trouble erupted . . .

black berets taking over neighborhood shops,

merchants on sidewalks, beaten, bloody.

Mom divorced her husband.

She left after the riots.                                          

 

The maternal caravan took root

in Plymouth, America’s Hometown.

There my mom and dad met,

that didn’t last ‘cause Nana didn’t                                                                  

understand the “White men.”

I was born the year Patti Smith

sang about horses.

 

They named me Michael.

From my dad, Scottish and French,

from my mom, Cape Verdean and Native:

blood ties that to this day always come back

in my face, a hard slap, like razor drawing

red line on neck flesh

 

 

 

My Native name is Spider Song.

Spider is my guide,

a strong Medicine Woman.

Spider Grandmother wove

the world and I live to sing about it;

she tossed her web,

laced with dew and stars it

lit up the sky.

Native custom says that name

passes from mother to child.

My last name is not my Dad’s.

 

Mom says: “Doesn’t matter

what your name is, it’s who you are.”

My name is who I am . . .

I take it to my heart,

a mean half-breed child,

tattered clothes too big for his

scrawny bones, homeless on Easy Street

where everybody fits easily into boxes.

I am a child of Earth Mother….

 

Spider’s web catches

my words.

I will live,

I will sing.

 

 

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